<BGSOUND SRC="camblurb.wav">

Sound Advice From a Sound Engineer

Heya Kids! It's your friendly neighborhood sound engineer here with a favor to ask...

Y'know... I've been standing, sitting, and even a few times laying under 
audio consoles for a long time - about seventeen-plus years, mixing all sorts 
of music. From Classical to Jazz to Rock I've put mics in front of just about 
everything and piped it through a PA (Side Note: The weirdest thing I think 
I've ever slung a mic on was a house cat, no kidding)... I make my living 
with my ears and I expose my hearing to high sound pressure levels (or SPL) 
on an almost nightly basis, so when it comes to taming a PA and running it 
for the safety of the audience as well as the working crew, I'm all business. 

Venue to venue, there are going to be spots where the sound is louder or more 
intense than other spots due to the different speaker systems I am given to 
use and how those speakers are focused on the audience, every make and model 
of speaker sounding as different from one another as apples to oranges...

... y'know... if apples and oranges made noise, that is...

The best set-up for a speaker in my opinion is to hang it, angled down on the 
field of intended coverage... this does a couple of things: It gets the sound 
to more ears EVENLY because there's less absorbtive material (other people) 
between points 'A' (speaker) and 'B' (listener), and it gets these 
potentially dangerous things out of the audience's faces...

Yes, I said "potentially dangerous"... the key word being "potentially". Let 
me explain a bit, and I'll try to stay on-topic.

There can be areas of effect where speakers are capable of delivering 
dangerous amounts of prolonged SPL (the wail of an organ) or transient 
content (the 'snap' of a drum)... it is my goal each night to smoothe these 
places out as best I can without compromizing coverage or clarity using 
various Sound-Guy-Stuff.

Perhaps you've seen it piled around me?

But there can still be places where it's too loud... either in reality or by 
individual perception (I'm far from perfect and can't be everywhere at once 
to hear all points of the PA although I TRY to be - don't be suprised if you 
see me standing next to you briefly, I'm jus' checkin' it out from your 
perspective)... also, some people like it so loud they can't think straight 
and others want a lot less... it's called 'personal taste' and they're as 
different person to person as apples to oranges...

... yknow, if apples and oranges had different tastes...

...Wait... 

... what did I just say there? Forget it, keep reading... 

This being the summer season again, our audience is turning from "21 And 
Over" clubs to the more family-friendly outdoor venues and festivals. That 
means kids, and that's the focus of this rambling address.

If your child is younger (say under the age of eight) their hearing is still 
developing. Infants' ears are still completely new and if you expose tiny ear 
drums to adult-sized portions of sound there is more than a chance you will 
permanently scar that child's hearing forever... we as adults have undergone 
a gradual process of torturing our ears into tolerating high SPL with subway 
trains, Walkmans, jet aircraft or the odd jackhammer so it's not as large an 
issue, but to a baby it can be an instantanious and irreversible trauma. 

I would appreciate it if you would help me spread the word about hearing 
protection for the little music fans in our and other band's audiences... 
when you see an adult with a child on their shoulders right infront of the 
speakers BE BOLD AND INTRUSIVE, check that child for PROPER hearing 
protection, because puting a still-developing set of ears up in clear throw 
of the usual rock'n'roll PA is nothing short of endangerment and borderline 
abuse. That child has a right to enjoy the full spectrum of sound he/she was 
born with, or as close to it as our noisey modern world will allow... and 
they won't if their hearing is permanently altered at an early age.

Another Note: TESTED AND APPROVED EAR PLUGS are the ONLY THING THAT WORK - 
There are NO SUBSTITUTES for proper hearing protection. Foam roll-up plugs 
are made from materials designed to reduce SPL and slow transients. Cramming 
toilet paper, cocktail napkins, paper towel, chem-toilet paper (I don't even 
wanna start on what ELSE is wrong with THAT) or cigarette filters into your 
ears is doing little or nothing to protect your or anyone else's hearing.

We usually maintain a stock of FREE foam plugs at our merch table at each 
venue... this is not because we intend to operate outside of safety standards 
as far as the band's stage volumes or my work at the console, but rather so 
that people who wanted the option of "turning things down" had it, whatever 
the reason. We don't charge for them, and we don't take any personal offense 
at anyone choosing to wear them during our performance... 

By the way, hearing protection can be bought in-bulk at most pharmacies, they 
even make special sets for younger children... and it's really easier than 
you'd think to convince your kid it's cool to wear them...

The alternative? 

If you think your kids don't listen to you NOW, what do you think's gonna 
happen when they're older and have a legitimate excuse?

"Would you please take out the trash?"
"Huh?"
"Take out the trash."
"Pardon?"
"I said TAKE OUT THE TRASH!"
"What Mom? Can't hear you. Thanks for the heavy metal show when I was THREE."

Who am I to tell you how to raise your child? No one, really... I'm not a 
doctor... I don't even claim to be one to get a date... I'm just a guy who 
depends on his hearing for a living. Not every engineer out there takes this 
responsability as strongly to heart as I do, and some don't even understand 
the danger in the first place... I wish I were kidding, but I'm not. I don't 
want to start a Salem-style witch hunt of audio engineers here or cause any 
un-due hysteria in the village, so please don't light the torches and grab 
the farming implements for a run through the streets... my ambition is to 
inform you, give you the facts, and let you decide... to some engineers and 
bands "Loud" equals "Impressive", and sometimes it's up to you to turn it 
down. Exercise your judgement, spread the information, and help us all 
protect tomorrow's music fans. 

Thanks for listening... See you around the playground!!!